Also Known As: M:i:III
Country: USA, Germany, China & Italy
Runtime: 126 minutes
Original Release: 3rd May 2006 (11 countries)
UK Release: 4th May 2006
US Release: 5th May 2006
Budget: $150 million
Worldwide Gross: $397.85 million
Tom Cruise (A Few Good Men, Edge of Tomorrow)
Philip Seymour Hoffman (Capote, The Master)
Ving Rhames (Con Air, Piranha 3D)
Michelle Monaghan (Kiss Kiss Bang Bang, Source Code)
Billy Crudup (Almost Famous, Watchmen)
Laurence Fishburne (The Matrix, John Wick: Chapter 2)
Mission: Impossible, a TV series created by Bruce Geller.
Ethan Hunt and his IMF team must track down ruthless arms dealer Owen Davian before he can get his hands on the Rabbit’s Foot, a potentially catastrophic weapon.
Ethan Hunt has semi-retired to a life of (to-be-)wedded bliss and training new recruits, until his protégé, Lindsey Farris, goes missing on an undercover op and Ethan is persuaded back into active duty to rescue her. For that he’ll need a team, including his regular partner, hacker Luther Stickell, plus pilot Declan Gormley, and Zhen Lei, whose particular skillset I’m not sure is clarified beyond being kick-ass and looking good in a dress. Back at IMF HQ, there’s also a helping hand from funny British tech whizz Benji Dunn.
Owen Davian is not a man to be messed with — and when Hunt and his team do, Davian is hellbent on revenge. As portrayed by the peerless Philip Seymour Hoffman, he’s the most genuinely threatening villain of the entire series.
Best Supporting Character
The head of the IMF, Theodore Brassel, is a superb turn from Laurence Fishburne — commanding and imposing, but also drily hilarious. It’s a shame they never had him back. Alec Baldwin has taken over basically the same role in Rogue Nation and Fallout, and he’s good, but Fishburne was really good too.
“It’s unacceptable that chocolate makes you fat, but I’ve eaten my share and guess what?” — Brassel
The IMF team’s unofficial mission to capture Davian from a party in Vatican City, which involves stopping traffic in central Rome, overleaping security walls, blowing up sports cars, and, most fundamentally, switching out Davian for Hunt — wearing one of the series’ trademark masks, natch.
Nothing against Michael Giacchino’s original score, but there’s no besting Lalo Schifrin’s fantastic main theme.
Truly Special Effect
The movie actually has loads of model work and CGI, as the special features attest, but the vast majority of it is totally invisible — as is the single greatest effects moment. It comes when Hunt puts on a mask of Davian: as he slips the mask over his head, the camera tracks around behind Luther, briefly hiding Hunt from our view — we assume it’s for the sake of an invisible cut to switch Cruise for Hoffman, but no: as the camera emerges out the other side, it’s still Cruise + latex. Only then, as Luther attaches the mask properly, is there a completely unnoticeable transition to the real Hoffman. Not only is it a superb bit of work, but it helps sell the idea that these masks are plausible — we’ve just seen him put one on, so they must be!
Starting out as a ’60s TV series created in the wake of James Bond’s success, Mission: Impossible’s own popularity saw it run for seven seasons into the ’70s, before being revived in the ’80s for two more seasons, and then relaunched as a Tom Cruise film franchise in the ’90s. As this one has “III” in the title, you can probably deduce that it was preceded by two others.
Ditching the numbering, the M:I films have continued with Ghost Protocol, Rogue Nation, and this week’s new release, Fallout. Already a huge critical success (scoring 97% on Rotten Tomatoes), there’s no reason to think we won’t be seeing more in the future.
1 Empire Award (Scene of the Year (the bridge attack))
1 Empire Award nomination (Best Thriller)
5 Saturn Award nominations (Action/Adventure/Thriller Film, Actor (Tom Cruise), Supporting Actor (Philip Seymour Hoffman), Director, Special Effects)
3 Teen Choice Awards nominations (Action Adventure, Actor: Drama/Action Adventure (Tom Cruise), Actress: Drama/Action Adventure (Keri Russell))
1 World Stunt Awards nomination (Best High Work)
This is where the Mission: Impossible series as we know it today begins, both stylistically (although the series never adopts a house style, the pure individuality of Brian De Palma or John Woo won’t be seen again) and narratively (while most of the plot points from 1 and 2 are never referenced again (bar an Easter egg or two), there’s stuff introduced here that’s still a major part of the series in Fallout). That said, it’s still very much a standalone movie (the series has never become reliant on continuity, though it looks like Fallout may change that somewhat).
And what of it as a film in itself, then? Well, kind of ironically, it has more action than the John Woo movie — there’s set piece after set piece after set piece. And I don’t mean that in a bad way, because they’re almost all phenomenal examples of suspense or action filmmaking. Though, it must be said, a mite too much of it is enabled by green screen, lacking the done-for-real extravagance of the films that follow. And there are a couple of exceptions to that “phenomenal” assessment: the Shanghai skyscraper heist, which feels like they knew the film was going on too long and so what should be a huge section is rushed, with the middle chopped out; and the climax, which has its moments but is rather underpowered, just a runaround in some houses.
That said, the finale does keep the focus on Hunt and his new wife, which is only fitting. This is the series’ most emotional and human film — all the stuff with Ethan and his home life/relationship is absolutely central to the movie; and the villain chooses specifically to mess with both Ethan’s protégé and his missus, making this the most “this time it’s personal” of the Missions. It isn’t even that concerned about its own big threat, making the Rabbit’s Foot the most MacGuffin-y MacGuffin ever. It’s never explained what it is — in fact, that’s even made into a bit of a joke in the penultimate scene. But we get the stakes because they have Benji give a theory about what it could be, so we know its potential. It’s neatly managed so that we believe this thing matters, but we remain focused on the characters instead of “what happens if they use the Rabbit’s Foot?” (Well, some of us do: according to Christopher McQuarrie, the lack of explanation didn’t go down well with test audiences, since when Cruise has taken it to heart that audiences like things to be explained.)
All in all, whenever I watch M:i:III I end up loving it more than I think I will — it’s an incredibly proficient, entertaining action-thriller. That I’d still rank it near the bottom of the franchise says more about the quality of the other instalments than it does the film itself.