Runtime: 81 minutes
Original Release: 14th March 2002 (Indonesia & Mexico)
US Release: 15th March 2002
UK Release: 22nd March 2002
Budget: $59 million
Worldwide Gross: $383.26 million
Ray Romano (Welcome to Mooseport, Paddleton)
John Leguizamo (Romeo + Juliet, Land of the Dead)
Denis Leary (The Thomas Crown Affair, The Amazing Spider-Man)
Goran Visnjic (Practical Magic, Elektra)
Peter Ackerman (Ice Age: Dawn of the Dinosaurs, eight episodes of The Americans)
Michael Berg (New Jersey Turnpikes, Ice Age: Continental Drift)
Michael J. Wilson (Shark Tale, Ice Age: Collision Course)
A trio of mismatched prehistoric animals endeavour to return a baby human to its tribe before the oncoming ice age cuts off the path to their camp.
The aforementioned trio are overenthusiastic Sid the sloth, wannabe-loner Manny the mammoth, and Diego the sabre-tooth tiger, who has ulterior motives…
A group of bloodthirsty sabre-tooth tigers who want to kill the baby human in revenge for… something. I forget. Diego is their inside man.
Best Supporting Character
Weird squirrel-like creature Scrat — he was all over the marketing and is consistently associated with the franchise, so you’re probably vaguely familiar with him. He’s got nothing to do with the main story, instead popping up for asides of silent comedy. His opening scene was only added to the film because otherwise the first sequence featuring snow and ice wasn’t until over half-an-hour in, but he was so popular with test audiences that he was given more throughout the rest of the movie.
Sid: “For a second there I actually thought you were gonna eat me.”
Diego: “I don’t eat junk food.”
Walking through an ice-cave shortcut, Sid sees various other prehistoric creatures frozen in the ice: an ugly fish, a dinosaur, an evolutionary series that ends with him… and a flying saucer. (See also: Next Time.)
Letting the Side Down
Most of the time the deliberately stylised designs help the film get away with the early-’00s quality of its CG animation (and some flourishes, like fur, actually look rather good), but the tribe of humans move rather stiffly, and consequently look a bit like a computer game from the same era.
Believe it or not, Ice Age was originally pitched as a drama. Fox insisted that if it was animated it had to be a children’s comedy (because that’s what all major Western animation is, right? And when it isn’t, it flops, like Fox’s previous animated movie, Titan A.E. Incidentally, that failure is also why they abandoned plans to make Ice Age in 2D cel animation). The original dramatic concept is presumably why some slightly-too-serious stuff remains in the storyline.
Four true sequels, plus the usual wealth of connected short films and TV specials that accompany popular kids’ animation franchises nowadays. A sixth film and/or TV series may be in development. Interestingly, each of the things Sid sees preserved in the ice (see Memorable Scene) is connected to one of the sequels. I’ve no idea if that was deliberate or a huge coincidence; though, either way, I’m sure it can’t’ve been planned from the outset.
1 Oscar nomination (Animated Feature)
7 Annie nominations (Animated Theatrical Feature, Directing in an Animated Feature, Writing in an Animated Feature, Character Animation, Character Design in an Animated Feature, Production Design in an Animated Feature, Music in an Animated Feature)
1 Saturn nomination (Animated Film)
Ice Age was one of the first computer-animated franchises, though it doesn’t seem to have stuck in the collective consciousness as well as, say, Toy Story or Shrek. Personally, I first and last saw it sometime shortly after its original release, but all I could remember was enjoying it well enough. Well, all that is probably because it’s not as good as the best of Pixar or DreamWorks. It’s amenable enough, but it lacks the sharpness of concept, dialogue, character, and story that makes those movies truly memorable. I can see why I remember liking it but couldn’t recall much else. So, I’m not sure it deserves to be better-remembered than it already is, but it’s not at all bad for anyone who chooses to seek it out.