I didn’t post a TV column again last month, so this roundup is thoroughly overdue. So before the Christmas TV season gets properly underway (it kind of already has, but shh), here’s my final regular TV review for 2019. (I still intend to post my usual Christmas-TV-focused one at some point.)
His Dark Materials Series 1 Episodes 1-3
If I’d posted this column on time, this series would’ve just been getting underway. As it is, the final episode airs tonight. And, obviously, I’m quite far behind. I do intend to catch up, but I’m not entirely sure what I make of it.
Philip Pullman’s novels are acclaimed and beloved, of course; there’s a starry and talented cast, naturally; the production values are sky high; there are plentiful interesting ideas and threads to be explored… but the execution is a tad confusing, offering little quarter to those of us who are pretty new to this world (I have seen the film, but that made significant changes) and need it explaining to them — well, aside from a text prologue that feels like it was a late addition when someone realised they hadn’t explained things particularly clearly for newcomers. Even if you get a handle on it all, though, it feels like there’s an indefinable spark missing that would really bring it all to life as an engrossing drama.
Or maybe I’m just expecting too much — this has been a long time coming, with an attendant amount of hype. Perhaps it’ll all cohere as it goes on. As I said, I do intend to stick with it to find out, but I don’t feel it hit the ground running in quite the way I’d hoped.
Watchmen Season 1 Episodes 2-9
When I reviewed the premiere episode of this last time, I said “there’s a lot of promise and potential here.” Well, reader, I do believe the series lived up to that and then some — it just got better as it went along, with a lot of the very best stuff coming in the final third.
Last time I also wrote about how it was both a sequel and a so-called ‘remix’ of the original novel, and that only became more apparent as the season went on. For the former, there’s no denying this is a follow-up to the book — it explicitly references and builds out of events and characters from Alan Moore and Dave Gibbons’s original work. But it also takes a lot of the iconography, themes, and storytelling devices from the book and rearranges them to help support its own narrative. That kinda makes it sound like just a remake, but that undervalues it — creator Damon Lindelof and his team of writers have brought a lot of other ideas to the table too, mixing those with what’s taken from the book to make a work that is new. So, whereas a traditional sequel would just be “the next adventure of the same characters”, maybe this is more of a companion piece. Whatever you want to call it, I think it’s a worthy addition. But it’s definitely an addition — I dread to think how this plays if you haven’t read the book.
And just like the book, there’s an awful lot more that could be written about what this series has to say and how it says it. I’ll leave that to others — there’s plenty of writing out there about it already. Some of that is a bit clickbaity (well, when isn’t stuff nowadays?), in particular with reference to the ending, which some sites have taken to calling a “cliffhanger”. It isn’t. Indeed, there may not even be a season two — not because HBO don’t want one, but because Lindelof doesn’t necessarily have a story to tell. It’s admirable that they’re not forcing it to happen just because season one has been a success (learning their lesson from True Detective, I suspect), but I also hope Lindelof does alight on an idea for more — if it can equal this, it would certainly be worth seeing.
Indeed, some commentators have been calling Watchmen a late entry for best TV series of the decade, or even one of the very best TV series of all time. Well, I don’t know about that, but it is very good — certainly better than it has any right to be, considering its provenance. That’s an achievement not to be undervalued.
World on Fire Series 1 Episodes 3-7
This is good enough that it probably would’ve been A Major Series if it had been made 15 to 20 years ago; heck, maybe even 10 years ago. Today… well, as my previous comment implies, it just doesn’t feel slick enough in the modern TV landscape. It has its plus points (the recreation of Dunkirk was suitably epic, at least compared to the low-key-ish earlier episodes, and Lesley Manville is always magnificent), and it’s done well enough to get recommissioned (thank goodness, because the finale left a tonne of stuff dangling as if it was a midseason episode), but I’ll be surprised if it ends up in the zeitgeist in the manner of, say, Downton Abbey. (Brief thoughts on episodes 1 and 2 last month.)
Shetland Series 5
This ITV-produced BBC-aired crime drama is so popular that they recently recommissioned it for both a sixth and seventh series. Originally it took the form of two-parters adapted from novels, but for the past few series they’ve done original season-long six-episode storylines. For this run, the gang find themselves up against human traffickers, using Shetland as a waypoint to get slaves into the UK. Overall it’s not as engrossing or remarkable a story as the ones told in the last two series, but it remains a more-than-solid cop show bolstered by a likeable regular cast. That double series recommission is welcome news.
Things to Catch Up On
This month, I have mostly been missing Jack Ryan season 2 — perhaps not the most high-profile show I could mention here (it’s on Amazon Prime, which never gets the same buzz as Netflix, however hard they try), but I enjoyed the first series a lot so I really do want to make time for this. Speaking of Netflix, they’ve just released The Witcher, which they clearly hope is going to do for fantasy what, er, Game of Thrones did for fantasy — i.e. be a much-talked-about series that brings big ratings. They’re pushing it hard, which for a company that claims to only use word of mouth and let the cream of their output rise naturally… well, it certainly suggests it cost a pretty penny. One show that has generated plenty of word-of-mouth self-promotion is The Mandalorian. Okay, it’s a Disney-produced Star Wars spinoff, it hardly needs the help, but you can’t’ve missed everyone going on about Baby Yoda. It’s not out on this side of the pond until Disney+ launches in the UK on March 31st, but where there’s a will there’s a way… And that’s without mentioning the BBC’s new War of the Worlds (which was poorly received but, as a sci-fi fan, I still feel compelled to watch); or thriller Giri/Haji (which was well-reviewed and sounds right up my street); or… oh, loads of stuff!
Next month… Diddily-dum diddly-dum diddly-dum ooo-weee-ooo, it’s Doctor Who.